A couple of days ago I responded to a question which asked ‘how do you see compositions outside of the obvious shot? Everyone seems to take The Obvious Shot!’ This was in response to a shot I had taken on a trip to Mary’s Shell; a location well known for its long exposure eye level shots, where I had shot from a different perspective and included some pebbles in the foreground (another response told me that it must be fake as he had photographed there several times and never noticed pebbles…..which the beach is littered with! ‘Viewfinder Eye Syndrome’ I call that!).
My response to the question was simple ‘I shoot, shoot, and shoot some more, and I’m not afraid of getting bad shots - trial and error is the key.’
I then added a further comment. ‘And don’t be afraid of capturing ‘The Obvious Shot’, being obvious doesn’t make it bad.’
There are various locations out there that have been photographed thousands of times, many of which have an ‘obvious shot’. And chances are, if it is a well known, easily accessible location, that obvious shot has been photographed much more than just thousands of times.
A great example of just such a shot is on The Great Ridge from Mam Tor overlooking Hope Valley in the Peak District National Park, UK.
That ‘Bloody’ Gate! Great Ridge overlooking Hope Valley, Peak District National Park
Type ‘Mam Tor Gate’ into any search engine and look at the image results. You’ll see literally hundreds of shots of the scene above. Some slightly wider, some from a slightly different angle, some with a slightly different perspective. But all of a not too dissimilar composition and framing.
And there is a good reason for that. There is great foreground interest in the gate and fence, adding much sought-after depth, there are great leading lines (which I may have slightly cropped out!) leading towards Back Tor and Lose Hill. Hope Valley looks spectacular. The Slate Mine adds interest in the mid-ground and across the valley are great hills including Win Hill. All in all, an easy to capture image, brimming with all of the elements that Landscape Photographers crave. Which is exactly why there are so many photographers who head there to capture the scene……many of whom will have seen a version of the shot already.
So do photographers just go around plagiarising each others shots? Or is it just that the shot is so obvious, every photographer who walks that walk stops to take that shot?
In truth, in the age of the internet, it is likely that it is a bit of both. The majority of landscape photographers will do some research on a location before heading there, and be highly likely to see a shot a number of times whilst doing that research. And that isn’t restricted to the internet. As a member of the National Trust, each year, I receive a guide book to all the NT properties and locations in the UK, many of which are accompanied by a photograph, commissioned to be taken by hugely respected photographers such as Joe Cornish and Ross Hoddinott (have a search and check out some of their work - remarkable photographers) amongst others. When you come across a shot that makes you go ‘WOW!’ and you head to that location, chances are you want to try and capture that shot yourself.
Plagiarising? Or Inspired?
Gateway to the future. Trying a different angle can completely change the way you view the location.
Personally, I would go with inspired. And each shot becomes its own shot each time it is taken anyway. With ever changing weather conditions, changes in light and the direction it falls across a scene. With each changing season, and the changes in colour of the landscape that accompany seasonal change. And never forgetting man made changes - one such example being that the last time I ventured up Mam Tor and across the Great Ridge, ‘That Gate’ wasn’t there, It had been removed. I presume in light of the Covid 19 pandemic. So a scene is ever changing, with unlimited photography possibilities.
So take ‘The Obvious Shot’ because it will become your shot with all of the uniqueness of that precise moment in time. And then once you have it, try looking from a different perspective, change your angle, change your composition, see what else the location has to offer. Venture further and you may just capture something that hasn’t been shot a thousand times before. Perhaps your shot may become the inspiration for many more to come, even becoming ‘The Obvious Shot’ in itself.
‘Shoot, shoot and shoot some more…’
Dave
June 2020
Venture further and explore, you may just find something you’ve not seen before.